Meryl Grandy

Part of the whole fun of making a crooked knife is customizing the handle to perfectly fit your own hand. Allow me to indulge you with a little side story about my knife's handle. During the early summer, our family took a trip back to Turkey to visit our extended family and introduce our boy to his elders, including his 90 year old great grandmother.

She's lived in the same mountainous region all her life and our family made their living working the land and tending to their many small olive orchards dotting the countryside. Her elder brother (my great uncle), known for his physical endurance, was apparently in charge of some of the more rugged orchards that clung to the mountainside. While taking a break from his responsibilities one day, my great uncle went rabbit hunting in the adjacent foothills and suffered a stroke and died. As a sign of mourning, the family decided no longer to tend the orchard in this area and the olive trees simply aged and returned to their unpruned, wild state. Despite the encroaching urbanization of the area, the isolated location of the plot has allowed it to retain its wilderness feel.

With my grandmother's recollected memories of the location, I hiked through this hilly region to find some of the neglected trees in this family plot. The small goat path I followed eventually led me to a cluster of olive trees at the base of the Nif Mountain range's foothills where my great uncle passed away.


The "mourning" orchard - olive trees are the pale green cluster
Olive trees are beautiful and even give off a faint resinous aroma of their precious oil. Near the back of the plot where the old orchard gives way to tall pine trees, I spotted a tree with a curious broken branch whose shape seemed perfect for the crooked knife blade I had been working on back home.


A broken branch crook; Fit my hand nicely
I didn't have any tools with me, so returned back to the village and borrowed a neighbour's saw to cut this piece and a few other branches as samples the next day. Olive wood is a very dense hardwood, with a tight grain that makes it ideal for carving and shaping.

Once back home and continuing with the crooked knife project, I cut out and roughly shaped a few handles from scrap wood to get a feel for the best design. Below are some of the templates I had prepared. A cherry handle, yellow birch, and two olive branches brought back from Turkey. Lots of deliberation and second guessing, but eventually I settled on gently curving olive wood branch (3rd from top) rather than the naturally bent crook that had originally caught my eye as the former seemed to feel the best in terms of weight, shape, and grip comfort - although I flipped it around from the orientation shown in the picture below.


Handle choices
Once I decided on the handle and the blade orientation (angled off the centre line), I proceeded to mark and chisel out a slot for the tang to fit.


Underside of handle with chiselled slot
Using a piece of white birch from a log destined for the firepit, the shim piece was carved to also fit in the carved groove. The tension of these pieces held tightly with waxed whipping thread would hold the blade into position


Carved shim; Nice fit; Beginning whipping
To end the whipping a stitching needle was used to pull the excess line under the whip. The shot below gives you the idea, but I wrapped it several more times.


After a bit more sharpening on some wetstones and honing on a strop, the knife was holding an edge nicely. Here's a picture showing it in action shaving down some scrap cedar.


Action shot
Haven't decided if I'll decorate the handle with some pyrography or leave it as is. But I now have a working crooked knife with a bit of special family history.


The completed crooked knife

UPDATE: April 6/10: A post on improving the crooked knife lashing and securing the blade has been published.

I'm a little late in posting about this, but Mike O of Reflections Outdoors blog has been working to secure funding for a canoe project for at-risk native youth. Anishinaabe Babamadizwin: A Journey By Canoe.  Readers might recall that Mike previously helped organize a canoe restoration project in remote Fort Severn, Ontario to work on the freighter canoes of the local Cree community.

Here are some excerpts describing his vision of this new project...

The Anishinaabe Babamadizwin: A Journey By Canoe  would be a First Nations canoe project for Anishinaabe youth….using the canoe as a means to help these young people on their life's journey. Such canoe trips could develop leadership skills as well as increase awareness of their Native culture and traditions. The youth participants return to their communities as future leaders.

Such trips could involve bark canoes….and wood canvas canoes….built by First Nations youth….for the trips. This past summer bark canoes were built by Native youth in Ottawa….on Bear Island in Temagami ….and in Oshawa. Hopefully 4 wood canvas canoes, specifically built for this project, could be painted by various Anishinaabe artists….and after the trip ends each of these canoes could be raffled off to further fund canoe projects in First Nation communities.

Round 3 of voting for funding for this project runs for the next 12 days and once you register, you can vote each day of the remaining voting time. Read more and vote HERE if interested.

P.S. If you are problems logging on or registering with the Aviva Community Fund website (like I did), you'll need to try another web-browser. It worked finally when I used Google Chrome...

After an exciting summer of sailing and sailboat racing, we are returning to the Optimist project. In the effort to make these boats as inexpensive as possible we have purchased luan plywood to sheath the hull of our boats.

Our decision to use luan was based on information given to us by John Bridges who has been building Optimists since the 1960s. He has built Optimists of luan and they have been in service for over 5 years. That is longer than we will probably need the boats.

We will also be stacking these hulls after sailing them - leaving no water in them to cause problems. Additionally, we will be priming our hulls with CPES (clear penetrating epoxy sealer) as a way to be sure that the absorption of water is slow.

Today, we worked on the hull sides.

1. Working on three boats requires 5 sheets of plywood to complete all the hull skins. 
2. We ripped two full sheets on 16 inches the long way. This gave us 6 strips to use as hull sides.
3. Temporarily attaching one side to trace the contour, we removed the piece and cut a bit proud of the pencil line. 
4. We checked to see if the template piece fit all three hulls - it did.
5. Using Locktite PL Construction adhesive, we laid a bead of glue along the chine and bow/transom about half way down the hull.
6. Starting at the transom we worked forward placing screws about 5 inches apart.
7. We worked in a zig-zag pattern of top then bottom as we worked forward to be sure not to pucker or buckle the plywood.

Starting aft and working the plank forward.

One side of the hull secured and curing.

Three hulls with starboard sides attached.